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1982
Nakabayashi's involvement with copperplate print began when he learned its techniques from Tetsuro Komai, as a junior at the Tokyo National University of Fine Arts and Music. Most of his early copperplate works, reflecting the period's trend, communicate social messages. In the late 1970s, however, he started to favor natural motifs, such as flowers, plants, and twigs, in his works. This work is based on a photocopied image of the ground. The surface of the earth, which is reduced to monochrome here, fully retains its feel, and is captured as a tangible presence.
This series includes “Spring,” “Summer,”“Autumn，”and “Winter .”Each work, relatively small in size, features seasonal elements, such as spring flowers or dead autumn leaves scattered on the ground. Together, they make up a set of pictures depicting the four seasons, traditionally favored as "Shiki-e in" Japan. While typical sets of "Shiki-e" portray seasonal changes in large pictures which allow depiction of details, these works of Nakabayashi based on photocopies represent the seasons in a style radically departing from the tradition and uniquely his own.
1937-
| Genre | Prints |
|---|---|
| Material/technique | Etching, aquatint |
| Dimensions | 57×49cm |
| Acquisition date | 1983 |
| Accession number | 1975-00-7461-000 |
| Edition | Ed. 37/50（画面内左下、紙面裏） |
1974
1980
1997
1992
1978
1979
1982
1982
1999
1983
ANZAI Shigeo
September 30, 1982
Allan McCOLLUM
1982-89
KOSHIMIZU Susumu
1982
ANZAI Shigeo
February 22, 1982
KAWAMATA Tadashi
1982
ICHIHARA Arinori
1982
ARAKAWA Shusaku
1982-83
ICHIHARA Arinori
1982
YOSHIDA Katsuro
1982
ANZAI Shigeo
April 19, 1982
