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"The Funeral of Ravana" [from "Ramayana" Ⅵ]

KOMAI Tetsuro

c.1948

"The Long Afternoon of Earth"

FUKUDA Naoyo

2003

"The Mission of Monkeys Searching Sita" [from "Ramayana" Ⅳ]

KOMAI Tetsuro

c.1948

"The Nightingale and the Rose"

FUKUDA Naoyo

2003

"The Siege of Lanka" [from "Ramayana" Ⅵ]

KOMAI Tetsuro

c.1948

"The Thief Becomes a Poet" [from "Ramayana" Ⅰ]

KOMAI Tetsuro

c.1948

"The Wave Theory" - On Intaglio No.10

KANO Mitsuo

1984-85

"The Wave Theory" - On Intaglio No.13

KANO Mitsuo

1984-85

"The Wave Theory" - On Intaglio No.17

KANO Mitsuo

1984-85

"The Wave Theory" - On Intaglio No.21

KANO Mitsuo

1984-85

"The Wave Theory" - On Intaglio No.28

KANO Mitsuo

1985

"The Wedding of Rama" [from "Ramayana" Ⅰ]

KOMAI Tetsuro

c.1948

"Toshinobu Onosato 1979", Portfolio

ONOSATO Toshinobu

1979

"Twenty Thousand Leagues under the Sea"

FUKUDA Naoyo

2003

"Two Years' Vacation"

FUKUDA Naoyo

2003

"Usugumo" from "The Tale of Genji"

ARAI Shori

1967

"Video Art", 1978-05-25, Sogetsu Kaikan

ANZAI Shigeo

May 25, 1978

"Window Opening to Chicago" [from "The New Fall of America"]

Roy LICHTENSTEIN

1992

"Young Artist's Group Show", 1982-07-03, Parergon

ANZAI Shigeo

July 3, 1982

'78 Board - (Ⅰ)

KAWACHI Seiko

1978

'78 Board - (Ⅱ)

KAWACHI Seiko

1978

(1) [from "Egg"]

HIWASAKI Takao

1970

(2) [from "Egg"]

HIWASAKI Takao

1970

(3) [from "Egg"]

HIWASAKI Takao

1970

(4) [from "Egg"]

HIWASAKI Takao

1970

(5) [from "Egg"]

HIWASAKI Takao

1970

(6) [from "Egg"]

HIWASAKI Takao

1970

(7) [from "Egg"]

HIWASAKI Takao

1970

(8) [from "Egg"]

HIWASAKI Takao

1970

(Left) The little village on the far mountainside was already out of sight, and spring was coming around again. The grape trees were like large ailing snakes creeping under the coping stones of the wall. A brown light moved about in the tepid air. The void created by the selfsame every day is likely to chop down even the young trees that were left behind. In this everyday life, a thicket of trees protrudes like a boulder. (Right) The village I lived in has never been thought of as so small. The sun showed itself. The tall poplar forest looks like a beach being blown about by the wind. I grow dizzy just watching that seamless succession. If I can manage to get drunk on this succession of unchanging days, I can also grow to feel like I have taken down an elephant or snake. He differentiated things in this way, like a fluttering butterfly.

OKAZAKI Kenjiro

2002